![]() The second way to create proxy media can be employed after media is imported. Ensure that this option is checked to convert all imported videos to proxy media right after import. ![]() On the media import screen, you’ll see an option under the Transcoding section to create proxy media. There are multiple ways to create Proxy media in Final Cut Pro X: You can do so upon initial media import, or you can do so after media is imported. In Final Cut Pro, proxy media is converted to Apple’s ProRes 422 Proxy format. ![]() Proxy media significantly enhances playback performance in Final Cut Pro X’s viewer by lowering the video quality to one-half resolution. In this post, we’ll show you how to leverage proxy media in order to successfully edit video on an underpowered Mac. Thankfully, Final Cut Pro X has built-in features that allow users to edit 4K video on even the most anemic of systems. Editing 4K video, however, is much more taxing on the MacBook, especially when employing various effects and color correction. When it comes to exporting 4K video, the MacBook shines due to Intel Quick Sync Video hardware encoding. I love my 2016 MacBook for a variety of reasons, but there are still some areas where its Core M processor struggles to keep up. ![]()
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